Tag Archives: teachers

Managing Summer Music Lessons

violin teachers and lessons

As summer approaches, many students and parents have questions about managing summer music lessons. These include questions about changing schedules, vacation time, and practicing expectations. While your teacher is the best person to talk to about specifics, we aim to address your more general questions, or to help you decide which questions to ask. We also want to show you how summer music lessons can serve as a special opportunity for you.

 

Communicate with your teacher about scheduling

The most efficient means of managing summer music lessons involves communicating with your teacher (or your child’s teacher). Need a different lesson time over the summer? Going on vacation? Music teachers anticipate all of this, but let them know sooner rather than later. Contact your teacher as soon as you make plans or need a change.

Communicate with our office about extended breaks

It’s especially important to let our office know if you plan on taking any extended breaks, such as for a whole month or for the whole summer. If you take an extended period of time off, we will remove you from our calendar moving forward. Please contact our office at the beginning of the Fall when you plan on starting up again. We can’t promise the same time/day that you had, but we’ll do our best to work with your schedule for the Fall!

The rules of lessons still apply

It’s easy to fall into a “summer mindset” with music lessons, not applying the same rigor to cancellations and practice sessions as you would during a school year. Don’t fall into this trap! Teachers expect just as much over the summer. Plus, your music teacher is still running a business over the summer, and needs to be treated as such.

Use this as an opportunity

Many students, especially kids, are so scheduled during the school year, it can be difficult to fully dedicate themselves to music lessons. Summer allows a little more flexibility. Use it as an opportunity to get ahead in your music lessons so you can reach your goals that much sooner.

A lot of students also hope to audition for top bands, orchestras, or choirs when they return to school. If your child brings focus and discipline to summer lessons, they’ll be ready for these auditions in the fall. This is particularly important if a student plans to pursue music further, such as in college.

In either instance, take note of your goals or your child’s goals, and what it would take to reach them. Then, you and your teacher can make a plan based on your freer summer schedule.


It’s tempting to think that once the recital is over, once classes are over, then lessons are over for the summer too, or at least are more relaxed. However, summer is a unique opportunity for renewed dedication. Flexibility, time, and focus have great benefits for you or your child, so take advantage of them! Above all else, remember that managing summer music lessons is not so different from managing regular lessons. Keep that mindset, and you’ll stay on the ball through vacations, schedule upheavals, and pool-worthy weather.

Technique Can Free You To Be Creative

Technique is a topic that comes up a lot in lessons, and rightfully so. Having proper technique will allow you to move around your instrument with ease. But most importantly, technique is the bridge that connects your ideas to reality. Bad technique will slow, or block the flow of ideas, whereas good technique will let them flow freely.

Yet with all of the known benefits of proper technique out there, I still find that a great deal of musicians overlook technique, or even worse, completely disregard it. Either they see it as unnecessary, an old manipulation device for creative control, or just too difficult to master. None of these are true. In fact proper technique can be quite easy to incorporate with patience and dedicated, routine practice. 

Technique is learned in an almost mechanical way, based on muscle memory. If an individual has been playing for a long time with bad technique, it can be annoying to break bad habits. Although it can be frustrating, you’ll be happy with the changes you’ve made.

It’ll take a small amount of focus. Practicing proper technique only needs to be done for 15-30 mins a day on a regular basis – All you need to do is put in the time each day and move on. Don’t worry about incorporating the new technique into band practice or performances just yet. Let the technique work for itself rather than forcing the use of technique. Within a few months time, you will see radical improvement, and if you allow your practice to take effect over time, the metamorphosis will happen naturally.

Good technique will do a number of things to improve your playing and songwriting. It’s going to improve the richness of your sound by allowing you to play the instrument the way it was designed to be played. For example, claves are a percussion instrument. There are two wooden cylinders about an 1″ in circumference and 6″ in length. They are played by palming one clave and striking it with the other clave. If either of the claves are held too tight or struck with too much force (or not enough force), the true sound of the instrument will not be obtained. You will lose out on the intended tone and sustain of the instrument. Improper technique of a clave would result in the same sound and feel of banging a wooden table with a bat. But, if that is your desired sound and feel, by all means, go ahead and hit record!

Technique can improve your songwriting by allowing you to play intervals, chords or rhythms that were previously impossible to play. Proper technique will also eliminate the possibility of injuries sustained from playing an instrument incorrectly. Other benefits include strengthening your ability to perform under pressure.

Having good technique requires you to be relaxed and at ease. When you step on stage you will be comfortable and confident so that you can do your best. You will also have a greater stage presence. The audience sees everything and they are very tuned into your body language. You don’t want to appear stressed, but comfortable and in control of the situation.

Music is a craft, an art, and also a science. Hundreds of years of documented research has gone into the field of technique for musical instruments. When craftsmen design and build instruments, they use a specific framework of scientific calculations. On the other side of the blueprint, there are specific instructions for how to use the instrument to obtain its desired effect.

Again if you want to play the piano with your feet, don’t let anyone kill your dreams – be an innovator. But don’t ask your teacher why you can’t play harmonic minor scales at 100 bpm or play first inversion major 7th chords. You don’t want to play guitar, and after several years say, “Hey, I’m really thrilled about how much worse my playing and songwriting has gotten over time!” No. We all want to get better at the things we do. The same way a runner wants to go farther and longer, even if it is to break his/her own record.

So make sure to speak with your teacher about learning proper technique. Listen and trust his/her wisdom and experience. You’ll be glad you did.

Guitar Teachers

Hey there, Neema! Welcoming you to our wonderful collection of guitar teachers at Philly Music Lessons.

guitar teachers philly

With interests in blues, jazz, and rock, Neema teaches guitar lessons at Philly Music Lessons. He is also a great teacher for piano, bass, and drums, having a solid, well-rounded musical background. Currently, Neema is pursuing a degree in guitar performance from The University of the Arts. You can check out Neema playing a piece on electric guitar, following the short bio and interview below:

I teach Guitar, Piano, Bass and Drums. My first musical experience was singing, then playing hand drums while I was young. I have formal training in guitar from University of Houston and Berklee College of Music after high school. I am currently studying guitar performance at The University of the Arts. I have very many goals for my life and one of them is to continue teaching music. I have been teaching for 4 years now, and I consider myself to be a professional educator. My strength as a teacher is to quickly identify how the student needs to learn to best show him or her the steps to success. I also have experience with group lessons in guitar and piano. I love to teach songs, riffs, scales, proper technique, proper theory, and how to get the most out of your practice. It is very important to play music everyday and to have discipline in your practice. Recording yourself, listening back, and planning what to do for the next day are all good practice habits. I practice jazz and classical guitar at least 3 hours a day.

When did you begin playing guitar, and why?

I first started to play the guitar on September 1, 2008. I’m from Houston Tx, and when Hurricane Ike landed ashore, I was safely in College Station Tx at a friends house. He had a guitar, and I played a Cold Play song. I always wanted to learn to play the guitar, and I did!

What are your personal goals as a musician?

My personal goals are to perform my own songs with a band, be a successful song writer and performer and to become a top entertainer!

Do you have a memory of a time when a music concert or technique really clicked? Something you’ll remember forever?

The first time I had a click that maybe music and sound could be the story of my life was when I was a kid singing a song on the radio and my brother told me I sounded exactly like the lead singer.

What is your favorite piece of advice from one of your past (or current) or current teachers?

The piece of advice that stuck would have to be “play that tune all day long.”

Whats your most challenging musical moment?

The first time I picked up the guitar. And the hardest thing will be the next thing I play, because I am always trying to challenge myself.

What is your biggest musical achievement?

Music itself is a reward, so just the act of playing music is an achievement for me.

Favorite thing about teaching?

Teaching is always earning me experience with new people with different backgrounds. It’s rewarding to teach music, to talk about music and always to play music. 

What is a piece of advice you would like to share with anyone learning music?

Many people think they can’t play music, like its something out of reach. I would like to share with those people that they can and should learn music. It expands the mind, you become smarter, and even begin to solve life’s most difficult problems better.
Currently I am looking for a band and I’m writing my own songs and lyrics.

 

New teachers! Jenn Amell, Guitar and Piano

Jenn_piano_guitar

Schedule a Lesson

Meet Jenn Amell. Jenn teaches guitar and piano to beginner and intermediate students. Her guitar focus is on pop, rock, and punk. On piano, Jenn specializes in teaching classical, but also loves working with pop music and show tunes. An excellent teacher for kids, she can bring a beginner through basic piano technique, introducing them to classical fundamentals. Kids who have an interest in playing pop, rock, or punk can explore chord progressions, strumming patterns, finger plucking, and more. Jenn also teaches adults who are at the beginner to intermediate level, offering instruction for playing pop music, as well as classical.

Read more about Jenn in her bio and the interview below:

I am a piano/guitar teacher. For the last fourteen years, I have been playing piano, as well as guitar for the past nine. Music is a chord struck deep in the heart, and it is a special passion of mine to pass on the skills necessary to experience such a visceral medium. Playing an instrument is one of the greatest meditative practices. On top of that, it stirs the brain and body into healthy action, allowing for better coordination and muscle memory.

Some of my best experiences have come from playing music, whether in a room full of friends singing and banging on drums, or alone strumming on the guitar. I have been fortunate enough to work with some great musicians in the Main Line and Philly areas including Nicholas Brower of Good Shirt Productions and fellow Philly Music Lessons teacher, Jennifer Pague, of Vita and the Woolf. Additionally, I also have an affinity for punk music and have put together a small lo-fi EP (Distant Milk) of ambient punk for my project, ‘Future Seer’.

Via all these good musical experiences, I have developed a teaching strategy that focuses on equal parts theory and improvisation. I mostly teach piano in a classical style, but would love to work with those who want to play pop or show tunes. As for guitar, my experience lies in rock, pop, and punk music, with a strong emphasis on strumming patterns and chord progressions. I accept students of any age from beginner to intermediate levels.

When did you begin playing piano/guitar, and why?:
I began playing piano at age eleven under the tutelage of Janet Ables. My mother inherited an upright player piano from her father and I can remember sitting at its keys and plunking out Chopsticks or The Spinning Song. When I showed an affinity for the piano, my mother decided to get me lessons, which continued throughout middle school and high school. As for guitar, I was first introduced at age fifteen by my church’s youth group, the leader of which taught me some chords and let me play on the worship team. I think I gravitated toward piano and guitar because of the therapy it offered. Playing either instrument calmed me then and continues to do the same now.

What are your personal goals as a musician?:
Music has always been a kinetic, visceral experience for me. It makes me happy, and because of that, it is a compulsion— in the best way. So, I’d say my personal goals involve playing for my own enjoyment and passing on any knowledge I’ve gained to others who want to experience that same happiness and compulsion.

Do you have a memory of a time when a musical concept or technique really clicked? Something you’ll remember forever?:
I can definitely remember times when the piano or guitar mystified me. How did they work? How could others make them sound so beautiful? I’m sure the same feeling came from learning a song on the piano, but I specifically remember learning my first chord (G) on the guitar. I had a feeling like, “Oh, so that’s how it’s done!”. Although the mechanics of playing either instrument become more knowable, music itself still holds a very exciting mystery.

What is your favorite piece of advice from one of your past (or current) teachers?:
My mom and I often talk about the symbiosis between all the artistic mediums. I love literature (having studied it in university) and have found many striking similarities between music and writing. One particular passage really inspired to me from Anne-Marie Macdonald’s novel, Fall On Your Knees. In the scene, she is describing an opera singer: 

“It’s nothing to do with the words, which are in a foreign language, or the story, which most people don’t know. It’s because a real and beautiful voice delicately rends the chest, discovers the heart, and holds it beating against a stainless edge until you long to be pierced utterly. For the voice is everything you do not remember. Everything you should not be able to live without, and yet, tragically, do.”

I also love Brian Eno, he’s full of good advice.

What was your most challenging moment learning an instrument?:
Oh, I have them all the time! Music is supposed to be challenging, otherwise it wouldn’t be worthwhile.

What is your biggest musical achievement?:
I guess completing my EP for Future Seer was my biggest musical achievement. It was super fun and I hope to do another one soon. I am also so happy to be in any way involved with Vita and the Woolf. They’re a great local Philly band reaching for high heights.

Favorite thing about teaching?:
I love teaching children, especially when they put two musical concepts together and finally understand them. Their smiles are genuine and you know that something unlocked in their brains.

What is a piece of advice you would like to share with anyone learning music?:
My best advice is twofold:
1. Be patient.
2. Practice as much as you can.

Personal music projects: i.e. bands, groups, shows, recording, etc. (if any):
Distant Milk, Future Seer (2015) – solo project including piano, synth, guitar, vocals and audio production.

Father’s Day Gifts, Music

Schedule a Lesson or Contact Us for Gift Certificates

Father’s Day Packages and Discounts

FREE Trial lessons for Dad through the end of June!

Gift Certificates Available:
1-12 lessons (includes free trial for Dads)

10% off season packages (12 lessons)

Dad plus Family:
Group lessons family prices:
10% off the normal group lesson price

(Father and child, Father and spouse, or the whole family)

We have a lot of options for families at Philly Music Lessons. Learning together is a unique and memorable way to explore music. With discounts for multiples, our private lessons can be made joint. Two or more students can take lessons together, and for the upcoming occasion, it may just be a Father and child duo. Families taking joint lessons get an extra bonus on top of our discounted group rates, with an additional 10% off.

A local Philly parent’s blog visited our space for a unique Father-sons jam session for Father’s Day. Guided by our teacher, Phil, the family met to rock out and test some of the studio instruments in honor of Dad and his passion for music (Weezer in particular). The jam included an electric bass, ukulele, full-upright piano, drum kit, guitar, 1/2 sized violins, a harmonica, and various other musical knick-knacks. A bit like our Big Kid’s music class, the jam session was highly focused on the exploration and strongly encouraged experimentation and collaboration. Phil provided some concrete musicality, and everyone chimed in and took turns in the spotlight. Check out the video above (made by HipsterHenry). You can also read about HipsterHenry’s experience at our space at Hipsterhenry.com. The blog provides a lot of really good, parent-tested things to do with kids around Fishtown, Northern Liberties, and Philadelphia at large. We’re grateful to have received a visit!

In addition to this unique jam session, parents and children pair up frequently to learn a new instrument together in joint-lessons. Its also pretty common for siblings, and/or parents to take lessons at the same time (with two different teachers for convenience or one after another). In a nutshell, Philly Music Lessons can sometimes turn into a family affair (we love the brothers who played a duet on guitar and cello, and our Father-daughter trio from our Spring Recital!).

Of course there is always the simple gift for Dad – get him a set of new strings and some private lessons where he can quietly pursue his long held off dreams. He’s put aside his musical passions long enough, and its time to give him the chance to be a rock star… or a classical guru… or get on top of his dixieland, jazz clarinet chops. Contact us for joint-lesson rates, Father’s Day specials, or to set up a trial lesson. For more on what instruments we offer, check out our lessons and classes.

Cello Teachers | Fang Fang

Meet Fang Fang
Cello Teachers in Philadelphia
Fishtown Studio Lessons & Philly In-Home Lessons
Specializing in Classical
Beginners and Advanced Students

cello teachers fishtownWe’ve had some new additions to our cello teachers, and one of them is Fang Fang! Fang studied cello at Arizona State University and received her masters in cello performance. Her experience takes her from being a longtime student of cello herself to teaching and working in orchestras as an associate principal cello. She’s an expert in classical, with roots going back to lessons from her mother when she was 7. In addition to a career as a professional musician, Fang is also an accomplished teacher with award winning students. We managed to catch a snippet of her playing (video below). Also included is a piece performed at Arizona State (Sonata for cello in C major, op. 119 by Sergei Prokofiev).

Read about Fang Fang in her own words below.

I teach Cello and Piano. I have a Masters of Music in cello performance from Arizona State University. I have studied at the Hong Kong Academy for Performing Arts and received my B.A in cello performance in China. I began to play the piano when I was 5 years old, then began learning the cello from my mother when I was 7 years old. I am a professional cellist and have been working in various orchestras for the past 8 years as associate principal cello. In Phoenix, I played in the Scottsdale Philharmonic as principal cello. I have been teaching for 10 years, and have learned that patience and enthusiasm are necessary to keep students interested and eager to learn. I pride myself in finding the unique musical talents of each student, and finding ways to communicate with them on an individual level. One of my students in Eastern China was awarded the 1st Prize at a Cello Competition in 2011. My primary focus as a teacher is on classical music for the cello and piano. I am schooled in the Suzuki Method of teaching and find it to be an invaluable way of learning as a beginner.

Upcoming Events! Recitals

Spring Coffee House Recital May 30th
With Student Performances in Cello, Violin, Piano, and Guitar
At Philly Music Lessons, Fishtown

piano recitalThis weekend, we will be holding a salon-style recital at our space in Fishtown. Families and friends will gather starting at 3PM to support students of all ages and skill levels (some performing for the first time!). Guests can enjoy wine, cheese, and music during 3 sections of performances. This recital has given students of guitar, violin, cello, and piano the chance to dedicate themselves to a single piece of music, polishing it to performance quality. We applaud them for their work ahead of time and also look forward to hearing it all on Saturday.

Recitals are important milestones, and so we always try to document these events. Each performance is filmed for students and families to enjoy, share, and reflect upon afterwards. By now some of our students have a few recitals under their belts and will surely enjoy looking back!

Stay tuned for this Spring’s 2015 Coffee House Recital Highlights and for updates on the 2015 Fall Recital, which will take place at the Ethical Society on Rittenhouse Square in Center City, Philadelphia. Cheers, and good luck to our students!

Guitar Teachers for Beginner & Advanced Students

Meet one of our guitar teachers!

Guitar Lessons with Alejandro
Rock, Pop, Metal, Fusion, Jazz
Beginner and Advanced Studies
Also Teaches Drums, Bass, Piano
In-home or at Philly Music Lessons
Schedule a Guitar Lesson

Guitar LessonsAlejandro Torres-Giraldo is a grad from Temple’s music school (Boyer College of Music). He majored in jazz performance, but has a broad background in guitar and music in general. Alejandro has worked in metal, rock, and pop genres (his current solo work is a body of original electronic, indie dance music with a hint of R&B). Alejandro studied sound engineering as well, so his experience on the production end of things is also an asset for students interested in recording, production, and songwriting. Besides guitar (his primary instrument), Alejandro teaches drums, bass, and piano. Students looking to work across multiple instruments will be able to pick Alejandro’s brain and increase their understanding of music in a comprehensive way. Another bonus? He happens to live right down the street from Philly Music Lessons in our Fishtown/Kensington neighborhood! Besides teaching at our studio, our guitar instructors also travel throughout the city and along the Main Line for lessons. He’re is Allejandro’s bio below:

Alejandro Torres-Giraldo

I teach Guitar, Bass, Drums and Piano. I have taught a broad range of students including first timers, those at an intermediate level and more advanced students interested in refining methods and developing technique. I have an Associates Degree in Sound Engineering from the Community College of Philadelphia and a Bachelors Degree in Jazz Performance from Temple University. I’ve arranged and composed music for Jazz, Pop, Rock, Metal and Fusion for the past 14 years while simultaneously performing and recording with various ensembles. Over the years, I’ve developed an extensive understanding and comprehensive knowledge of the language of music in various genres. As an instructor I can provide a unique approach to the instrument, focusing on technique and the best way to practice on your own, while catering every lesson to the specific needs of each student.

Alejandro’s Interview:

When did you begin playing [instrument], and why?:
I purchased my first guitar when I was 12, it was a Mexican fender. I wanted to learn some nirvana songs and start a band.

What are your personal goals as a musician?:
My personal goal as a musician is to never stop learning new concepts and improving technique.

Do you have a memory of a time when a musical concept or technique really clicked?  Something you’ll remember forever?:
It was the concept of rootless voicings and how to tastefully apply them in a jazz setting.

What is your favorite piece of advice from one of your past (or current) teachers?:
To treat improvisation as an extension of your subconscious, in other words to develop an emotional connection with what you’re trying to say melodically.

What was your most challenging moment learning an instrument?:
My third semester during finals at Temple. The technical material was progressively getting more difficult.

What is your biggest musical achievement?:
For my senior recital, I arranged all the music and composed two original songs. Also, I’ve played in several local bands performing all original music.

Favorite thing about teaching?:
Helping students wrap their brains around certain musical concepts is very rewarding.

What is a piece of advice you would like to share with anyone learning music?:
How to approach practicing in order get the most out of  it. Also, you’re never too old to learn how to play an instrument.

Personal music projects: i.e. bands, groups, shows, recording, etc. (if any):
I have a souncloud page with original music called “Fightkid”. Outside of the occasional Jazz gig I play guitar in “LOUDS”, an original rock band based out of philadelphia.

Composition Teacher, Voice, Piano Lessons

Theory, Composition and More – Lessons with Annabelle Corrigan at Philly Music Lessons

piano teachers, vocal coachWe’re pleased to announce Annabelle Corrigan as the latest addition of teachers at Philly Music Lessons (piano lessons, voice lessons, and studies in music theory & composition). Annabelle lives in the ‘hood (Fishtown, that is), right down the street! She’s soon to join the ranks of Temple alumni (alongside many of our teachers), as she will be graduating in May from the Boyer College of Music with a degree in theory and composition. Annabelle also has her associates in piano performance and has studied voice as well. For students looking to learn piano or voice, or for those who want to explore music theory, Annabelle is a great guide – especially for those with an interest in songwriting or who want a deeper understanding of music (theory). Annabelle spends a lot of time composing, and her experience studying at a high level enables her to work with a wide variety of interests. Her own interests have taken her from opera, to classical, to jazz, film scores, and more. Schedule a Lesson

When did you begin playing [instrument], and why?:
I’ve been singing since I was about 8. I began to play piano when I was a teenager, because many of my classmates were really good at piano or some other instrument, and it inspired me to be like them.

What are your personal goals as a musician?:
I love opera, and my goal is to compose my own. I plan on working closely with the librettist, since I’m a poet as well.

Do you have a memory of a time when a musical concept or technique really clicked?  Something you’ll remember forever?:
I never knew what perfect pitch was until I was much older. I also didn’t realize I had perfect pitch until a professor at an audition made me aware of my ability. Since then, it’s become a wonderful tool.

What is your favorite piece of advice from one of your past (or current) teachers?:
Being compassionate with a student will allow them to fearlessly open up to their potentials.

What was your most challenging moment learning an instrument?:
In the winter months, my body feels tight and cold, and sometimes this causes tension during playing or singing. That’s why to me it’s important to work in a warm environment, do proper daily stretching, and have a healthy lifestyle (good diet, exercise, proper sleep).

What is your biggest musical achievement?:
Composing a fugue.

Favorite thing about teaching?:
I love sharing my passion for music with other human beings.

What is a piece of advice you would like to share with anyone learning music?:
If at first you don’t succeed, try try again. Music is meant to be fun, enjoy it!

Personal music projects: i.e. bands, groups, shows, recording, etc. (if any):
I am in the process of composing a work for my sister’s wedding. Additional compositions underway, member of American Composer’s Forum, member of Contemplum (composition club at Temple), participant in the Oticons Film Score Contest.


Annabelle Corrigan’s Bio
I have always been involved with sounds and music from an early age. My greatest forte is my ability to hear. When I was young, people thought I might become a voice actor, because my skill at replicating voices was quite apparent. Still, I loved to sing and had been regularly involved in choirs. I dabbled in violin in the fifth grade, but I didn’t feel a “click.” Without despairing, I tried my luck with piano and felt instantly in sync. I knew this was the right instrument for me. During my piano studies, I continued to work on my voice. In addition, I studied the workings of a sound board, and was head sound chief at my high school. At the college level, I began to pursue composition, while still continuing with my piano and vocal studies. I hold an associate degree in music, piano performance, and I am currently working towards my degree in music theory and composition. I will be graduating from Temple University this coming May. I have been teaching music since 2006 and have worked with a wide range of ages and various group sizes. My joy is working with people in a field that I’m passionate about. My interests include music (jazz, classical, opera, new age), ballet, composition, yoga, meditation, going to the gym, hiking and camping, scuba-diving, sailing,Traditional Chinese Medicine and acupuncture, cooking and baking, film-editing, sound engineering, poetry, reading good books, building websites, and watching documentaries.

Voice Teachers Discuss Vocal Performance & Recording

Using the Microphone, Playback, and Recording Process to Critique your Voice and Improve Vocals

recording voice

Singing Well – The Art of Knowing Your Voice

“Just sing it like you did outside of the booth” is what I continuously heard from my producer and sound engineer the first time I stepped into a recording booth. “Okay, I’ll try”, replying out of frustration.

Nothing.

I still was not producing the same vocal ability and performance that I could when I was singing to a group of people in an acoustic room with no amplification. It became more than exasperating. So I took a break. In fact, I took many breaks the first few months that I recorded in the ‘booth’, as we vocalists call it, because I just wasn’t hearing the voice that I knew so well in my head. The microphone had this ability to make me perform in an entirely different way, with an entirely different focus, and it happened on stage too. The difference between performing acoustically versus in a recording booth or through a live feed microphone can take any singer, trained or beginner, and bring them back to square one. I thought I had this whole singing thing “down-pat” until I began to realize that in singing (and most definitely in all music), you never really have it that way at all.

In learning to sing with technique, any trained teacher will teach the student about posture, breathing exercises, intonation, diction and all of the tools for learning how to perform. However, there is so much to learn about the voice, and not all of it comes with a teacher. Each of us have a different timbre, a unique tonal quality particular to ourselves. For most vocalists, pair this with a passion for music and singing, and it becomes soulful. There is absolutely a benefit to learning technique through training with a voice teacher, but sometimes we must learn from experience in order to grow. In this case, while recording in a booth may be frustrating at first, there are many benefits to learning to sing through amplification.

While not getting too technical explaining the art of singing through a microphone, there actually is a beauty and a science to it. As a vocalist, we begin to hear ourselves sing through our own head. Have you ever listened to yourself on a recording machine and thought to yourself, WOW! that doesn’t sound like me at all! It not only is interesting to learn how to “work the mic” but also, how to listen to yourself. You can learn a lot by listening to your recordings over and over, learning what sounds good and what doesn’t.

Play around with the levels of the instrumentation and your own vocals in the headphones. You can make the instrument levels higher if you need to be able to hear them better. Also, you can add sound levels to your vocals so you can hear them better as well. Listening to your singing voice may be one of the hardest things to get used to, but it truly is very important when recording. This is where you start to learn how to work with the microphone and really get the most out of a recording. It is nice to hear a rough mix of your vocals so you can learn where to improve, even if it is just in your own home studio! Here, you can start to learn the difference between your acoustic voice and your recording voice.

Also, it is always about the performance! You may be the best singer in the world but if you don’t perform with your heart and soul, it will come through on a recording. When listening back to your recording, take notice of places where you may be able to improve. Can you show a little more emotion in a certain area? Can you step away from or step closer to the mic to make a portion of the song come to life? This is almost like a dance. It can be difficult in the studio, because you may think you don’t have the energy cultivated in front of a live crowd. But you can access that. Pretend you’re in front of an audience, if that works for you.

Last, but definitely not least, don’t forget to ENJOY yourself! Though at times it may be frustrating, this should be fun. It is a great experience and a talent to pursue, and it is more than worth it when you can play your vocals for friends and family and be proud of what you’ve accomplished.

For a more in-depth look at vocals in the studio, check out “10 Tips for Nailing Your Vocals In The Studio” by Jeannie Deva at http://www.taxi.com/transmitter/1108/10-tips-for-vocal-recording.html.