Our seasonal recitals are a great way for students to get an opportunity to perform for friends and family! It’s also great for friends and family to get a chance to see the progress they’ve made since last time, whether they are 6 years old or 60 years old. Check out this video offering up highlights of every students performance from our Spring 2018 recital at the Ethical Society of Philadelphia!
Shop Philly for the Holidays!
Studios in Fishtown and South Philly
In-Home Lessons in Philadelphia and The Main Line
Gift Certificates from Philly Music Lessons
The holidays are nearly here! Help someone pay for the lessons they’ve been dreaming about for months. We have affordable private lessons in-home or at our studio in Philly. Music gift certificates make unique presents for all ages, while allowing you to support Philly musicians, educators, and the arts. Nourish someone’s creative pursuits, or encourage a new passion this year!
Great Gifts Under $20:
- Half-Priced Trial lessons – You can give someone a single music lesson on their instrument of choice for as low as $17.50. Lessons start at 30 minutes, with both in-home and studio options. We also offer 45 minute and 1 hour trial lessons at half price. Our teachers provide instruction on guitar, piano, drums, bass, upright bass, violin, cello, viola, saxophone, clarinet, trumpet, trombone, flute, voice, ukulele and more! View our Rates for more information.
$40 and up:
- 2 + Lessons starting at $52.50 (first lesson is still half-price). Request to purchase any number of lessons to help someone out with their musical studies.
- 1 Month of Lessons starting around $120 (includes 1 at trial rate). Exact price depends on lesson duration and location.
- Season Package of Lessons (10 lessons) – 10% off 10 lessons. Rates vary depending on duration and location. Starting at $315.
- Voucher for Music Instrument Rentals (3 month minimum) – Price varies depending on instrument and size. Rentals start at $69 for the 3 months. Guitars, violins, cellos, uprights, brass, and woodwinds.
Private instruction at Philly Music Lessons begins at age 4, and caters to all ages and skill levels. Where we teach.
How it works:
- Fill out the form below or Email Us with any questions.
- We’ll get back to you within 1 business day.
- After confirming your order, an invoice will be emailed to you.
- The gift certificate can be emailed to you as a printable pdf (preferred method), or a gift card can be mailed
- The gift recipient can contact us at any time after the holidays to redeem their gift certificate.
- We will work directly with the gift recipient to find a teacher who can cater to their individual interests and can work with their schedule.
As summer approaches, many students and parents have questions about managing summer music lessons. These include questions about changing schedules, vacation time, and practicing expectations. While your teacher is the best person to talk to about specifics, we aim to address your more general questions, or to help you decide which questions to ask. We also want to show you how summer music lessons can serve as a special opportunity for you.
Communicate with your teacher about scheduling
The most efficient means of managing summer music lessons involves communicating with your teacher (or your child’s teacher). Need a different lesson time over the summer? Going on vacation? Music teachers anticipate all of this, but let them know sooner rather than later. Contact your teacher as soon as you make plans or need a change.
Communicate with our office about extended breaks
It’s especially important to let our office know if you plan on taking any extended breaks, such as for a whole month or for the whole summer. If you take an extended period of time off, we will remove you from our calendar moving forward. Please contact our office at the beginning of the Fall when you plan on starting up again. We can’t promise the same time/day that you had, but we’ll do our best to work with your schedule for the Fall!
The rules of lessons still apply
It’s easy to fall into a “summer mindset” with music lessons, not applying the same rigor to cancellations and practice sessions as you would during a school year. Don’t fall into this trap! Teachers expect just as much over the summer. Plus, your music teacher is still running a business over the summer, and needs to be treated as such.
Use this as an opportunity
Many students, especially kids, are so scheduled during the school year, it can be difficult to fully dedicate themselves to music lessons. Summer allows a little more flexibility. Use it as an opportunity to get ahead in your music lessons so you can reach your goals that much sooner.
A lot of students also hope to audition for top bands, orchestras, or choirs when they return to school. If your child brings focus and discipline to summer lessons, they’ll be ready for these auditions in the fall. This is particularly important if a student plans to pursue music further, such as in college.
In either instance, take note of your goals or your child’s goals, and what it would take to reach them. Then, you and your teacher can make a plan based on your freer summer schedule.
It’s tempting to think that once the recital is over, once classes are over, then lessons are over for the summer too, or at least are more relaxed. However, summer is a unique opportunity for renewed dedication. Flexibility, time, and focus have great benefits for you or your child, so take advantage of them! Above all else, remember that managing summer music lessons is not so different from managing regular lessons. Keep that mindset, and you’ll stay on the ball through vacations, schedule upheavals, and pool-worthy weather.
Why flute? This is a funny question—As a flute player myself, I sometimes think back to when I decided to play flute for the rest of my life: I was in 10th grade and driving home from a flute lesson with my mom when I had this overwhelming feeling that I couldn’t just stop playing flute. Obviously I had already been thinking about what I was going to do in college, but at that moment, the notion that I could stop playing music made me so sad that I knew I had to study flute for the rest of my life.
In orchestral music, we get to play all sorts of characters, from birds (composers love to portray birds with flute) to hope, wind, light, or mythical creatures, and that is barely scratching the surface! I had a wonderful teacher in college who pointed to my flute and said “this isn’t a flute.” I looked at him and thought, “Oh no, he thinks my flute is the silver equivalent to a plastic whistle. Or maybe, he’s just gone crazy” He pointed and said again “This isn’t a flute—it is the mist on a mountain top, it is the wind on a summer evening, it is rage, it is pure joy—this is whatever you make it.” Now on some level I knew that—people had been telling me from a reasonably young age that I was good at the musical stuff not written on the page, but never in my life had someone so clearly pointed out the possibilities of playing this instrument. What I love about flute and playing music using wind (or breath) as the mode of sound production is how expressive one can be while literally taking deep—and often calming breaths. I love the many colors one can find in the flute sound with careful study. Most of all I love playing all of the different characters. I love applying narrative to music, and I have the most fun when I’m playing a character with my flute.
As I think back even further to the events that led me to start the flute it all was so arbitrary: I went to Colonial Williamsburg with my family for a few days in the summer before my 5th grade year—I don’t know why I was intrigued so much by this fife I found in a shop, but I was and part of me wonders if I would be here today writing this article without that first seemingly nebulous push. This is just my story and when it comes down to brass tacks, every musician has his or her story. What we all have in common is the universal choice that we make. Every musician has made a choice to put in the careful hours and become what he or she is today. There is some turning point that presents an instrument to a person and then a choice that doesn’t seem at all like a choice but just something that you do. This might be yours for flute.
I don’t think I can ever say to someone “you should play flute because of ____.” There is never enough time and never language specific enough. Most students know flute is for them after listening to it. If they hear something that they like, I do my best to help them put what they like into words, and then we set off together after that sound. Playing flute is not the be all and end all for everyone, but for those who want to enrich their lives with a musical instrument—it is a great choice.
Beautiful Tone, Beautiful Heart!
Suzuki-Style Violin Class for Ages 3-5
“Teaching music is not my main purpose. I want to make good citizens. If children hear fine music from the day of their birth and learn to play it, they develop sensitivity, discipline and endurance. They get a beautiful heart.”
Saturdays at 11 AM at Philly Music Lessons
October 1st – November 19th
$198 for 8 classes
(Includes a 3 month violin rental fitted for your child’s size at the first class)
Though many different curiosities are piqued when children come into our space and see instruments on the walls and in our practice rooms, violin seems to be of particular interest over and over again! Thus we’ve decided to offer a Suzuki-style violin class for kids ages 3-5. With a violin rental embedded into the cost, kids have the opportunity to experience the Suzuki method and other violin group work intended to introduce young bodies and minds to the violin. Read more about our kids violin class here!
Music Exploration Ages 3-5
Tuesdays at 4PM
October 4th – November 22nd
$128 for 8 classes
Our music exploration class is an intro to music beyond baby and toddler classes. Kids will explore ukuleles, their voices, piano techniques, and percussion patterns to gain experience with string instruments, solfege (ear training), and rhythm training. This class lays the groundwork for private lessons in a variety ofinstruments and is simply a fun way to explore music! Each class concludes with an art project that will reinforce a new concept each week.
Baby and Toddler Music Classes Ages 0-3
Ongoing Weekly classes at 10 AM Wednesdays and Saturdays
First time FREE! $10 drop in all September
Mommas, daddies, nannies, grandparents, and caregivers can join other families in the Fishtown area for weekly music classes on Wednesdays and Saturdays at 10 AM. Babies just a few months old will enjoy classes as much as the toddlers. All classes are drop-in this September, with a special rate of $10 per class (normally $15). Come October, we’ll be moving to a monthly sign up (10 kids max, unlimited makeups) to encourage regular friends and faces, and to allow groups of babies to grow and learn together!
Technique is a topic that comes up a lot in lessons, and rightfully so. Having proper technique will allow you to move around your instrument with ease. But most importantly, technique is the bridge that connects your ideas to reality. Bad technique will slow, or block the flow of ideas, whereas good technique will let them flow freely.
Yet with all of the known benefits of proper technique out there, I still find that a great deal of musicians overlook technique, or even worse, completely disregard it. Either they see it as unnecessary, an old manipulation device for creative control, or just too difficult to master. None of these are true. In fact proper technique can be quite easy to incorporate with patience and dedicated, routine practice.
Technique is learned in an almost mechanical way, based on muscle memory. If an individual has been playing for a long time with bad technique, it can be annoying to break bad habits. Although it can be frustrating, you’ll be happy with the changes you’ve made.
It’ll take a small amount of focus. Practicing proper technique only needs to be done for 15-30 mins a day on a regular basis – All you need to do is put in the time each day and move on. Don’t worry about incorporating the new technique into band practice or performances just yet. Let the technique work for itself rather than forcing the use of technique. Within a few months time, you will see radical improvement, and if you allow your practice to take effect over time, the metamorphosis will happen naturally.
Good technique will do a number of things to improve your playing and songwriting. It’s going to improve the richness of your sound by allowing you to play the instrument the way it was designed to be played. For example, claves are a percussion instrument. There are two wooden cylinders about an 1″ in circumference and 6″ in length. They are played by palming one clave and striking it with the other clave. If either of the claves are held too tight or struck with too much force (or not enough force), the true sound of the instrument will not be obtained. You will lose out on the intended tone and sustain of the instrument. Improper technique of a clave would result in the same sound and feel of banging a wooden table with a bat. But, if that is your desired sound and feel, by all means, go ahead and hit record!
Technique can improve your songwriting by allowing you to play intervals, chords or rhythms that were previously impossible to play. Proper technique will also eliminate the possibility of injuries sustained from playing an instrument incorrectly. Other benefits include strengthening your ability to perform under pressure.
Having good technique requires you to be relaxed and at ease. When you step on stage you will be comfortable and confident so that you can do your best. You will also have a greater stage presence. The audience sees everything and they are very tuned into your body language. You don’t want to appear stressed, but comfortable and in control of the situation.
Music is a craft, an art, and also a science. Hundreds of years of documented research has gone into the field of technique for musical instruments. When craftsmen design and build instruments, they use a specific framework of scientific calculations. On the other side of the blueprint, there are specific instructions for how to use the instrument to obtain its desired effect.
Again if you want to play the piano with your feet, don’t let anyone kill your dreams – be an innovator. But don’t ask your teacher why you can’t play harmonic minor scales at 100 bpm or play first inversion major 7th chords. You don’t want to play guitar, and after several years say, “Hey, I’m really thrilled about how much worse my playing and songwriting has gotten over time!” No. We all want to get better at the things we do. The same way a runner wants to go farther and longer, even if it is to break his/her own record.
So make sure to speak with your teacher about learning proper technique. Listen and trust his/her wisdom and experience. You’ll be glad you did.
Hey there, Neema! Welcoming you to our wonderful collection of guitar teachers at Philly Music Lessons.
With interests in blues, jazz, and rock, Neema teaches guitar lessons at Philly Music Lessons. He is also a great teacher for piano, bass, and drums, having a solid, well-rounded musical background. Currently, Neema is pursuing a degree in guitar performance from The University of the Arts. You can check out Neema playing a piece on electric guitar, following the short bio and interview below:
I teach Guitar, Piano, Bass and Drums. My first musical experience was singing, then playing hand drums while I was young. I have formal training in guitar from University of Houston and Berklee College of Music after high school. I am currently studying guitar performance at The University of the Arts. I have very many goals for my life and one of them is to continue teaching music. I have been teaching for 4 years now, and I consider myself to be a professional educator. My strength as a teacher is to quickly identify how the student needs to learn to best show him or her the steps to success. I also have experience with group lessons in guitar and piano. I love to teach songs, riffs, scales, proper technique, proper theory, and how to get the most out of your practice. It is very important to play music everyday and to have discipline in your practice. Recording yourself, listening back, and planning what to do for the next day are all good practice habits. I practice jazz and classical guitar at least 3 hours a day.
Reminder: TOMORROW 10 AM Babies & Tots Music Class
Sing and play @ Philly Music Lessons!
Don’t miss music tomorrow!
Stop by 2111 East Susquehanna Ave for some fun, songs, and piano. $15 drop in, $10 with package. Makeups, drop-ins, first-timers welcome! Free for newbies just testing the waters.
Please get in touch if you plan to attend as a drop-in. Thanks! – Claire, “Coco”
Philly Music Babies Kids 0-3
Father’s Day Packages and Discounts
FREE Trial lessons for Dad through the end of June!
Gift Certificates Available:
1-12 lessons (includes free trial for Dads)
10% off season packages (12 lessons)
Dad plus Family:
Group lessons family prices:
10% off the normal group lesson price
(Father and child, Father and spouse, or the whole family)
We have a lot of options for families at Philly Music Lessons. Learning together is a unique and memorable way to explore music. With discounts for multiples, our private lessons can be made joint. Two or more students can take lessons together, and for the upcoming occasion, it may just be a Father and child duo. Families taking joint lessons get an extra bonus on top of our discounted group rates, with an additional 10% off.
A local Philly parent’s blog visited our space for a unique Father-sons jam session for Father’s Day. Guided by our teacher, Phil, the family met to rock out and test some of the studio instruments in honor of Dad and his passion for music (Weezer in particular). The jam included an electric bass, ukulele, full-upright piano, drum kit, guitar, 1/2 sized violins, a harmonica, and various other musical knick-knacks. A bit like our Big Kid’s music class, the jam session was highly focused on the exploration and strongly encouraged experimentation and collaboration. Phil provided some concrete musicality, and everyone chimed in and took turns in the spotlight. Check out the video above (made by HipsterHenry). You can also read about HipsterHenry’s experience at our space at Hipsterhenry.com. The blog provides a lot of really good, parent-tested things to do with kids around Fishtown, Northern Liberties, and Philadelphia at large. We’re grateful to have received a visit!
In addition to this unique jam session, parents and children pair up frequently to learn a new instrument together in joint-lessons. Its also pretty common for siblings, and/or parents to take lessons at the same time (with two different teachers for convenience or one after another). In a nutshell, Philly Music Lessons can sometimes turn into a family affair (we love the brothers who played a duet on guitar and cello, and our Father-daughter trio from our Spring Recital!).
Of course there is always the simple gift for Dad – get him a set of new strings and some private lessons where he can quietly pursue his long held off dreams. He’s put aside his musical passions long enough, and its time to give him the chance to be a rock star… or a classical guru… or get on top of his dixieland, jazz clarinet chops. Contact us for joint-lesson rates, Father’s Day specials, or to set up a trial lesson. For more on what instruments we offer, check out our lessons and classes.
Meet Fang Fang
Cello Teachers in Philadelphia
Fishtown Studio Lessons & Philly In-Home Lessons
Specializing in Classical
Beginners and Advanced Students
We’ve had some new additions to our cello teachers, and one of them is Fang Fang! Fang studied cello at Arizona State University and received her masters in cello performance. Her experience takes her from being a longtime student of cello herself to teaching and working in orchestras as an associate principal cello. She’s an expert in classical, with roots going back to lessons from her mother when she was 7. In addition to a career as a professional musician, Fang is also an accomplished teacher with award winning students. We managed to catch a snippet of her playing (video below). Also included is a piece performed at Arizona State (Sonata for cello in C major, op. 119 by Sergei Prokofiev).
Read about Fang Fang in her own words below.
I teach Cello and Piano. I have a Masters of Music in cello performance from Arizona State University. I have studied at the Hong Kong Academy for Performing Arts and received my B.A in cello performance in China. I began to play the piano when I was 5 years old, then began learning the cello from my mother when I was 7 years old. I am a professional cellist and have been working in various orchestras for the past 8 years as associate principal cello. In Phoenix, I played in the Scottsdale Philharmonic as principal cello. I have been teaching for 10 years, and have learned that patience and enthusiasm are necessary to keep students interested and eager to learn. I pride myself in finding the unique musical talents of each student, and finding ways to communicate with them on an individual level. One of my students in Eastern China was awarded the 1st Prize at a Cello Competition in 2011. My primary focus as a teacher is on classical music for the cello and piano. I am schooled in the Suzuki Method of teaching and find it to be an invaluable way of learning as a beginner.